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Nave of the Panteão dos Almeida in Abrantes, with glass frames and lines of light on a pine floor

Panteão dos Almeida

An ethereal architecture meets one more than 800 years old, and each enhances the other.

Abrantes, Portugal · 2017–2022
EN PT
Typology Public Building
Size 363m2
Location Abrantes
Status Built
Project ID 17IAA
Panteão dos Almeida, Abrantes: white facade and bell tower of the Church of Santa Maria do Castelo under a deep blue sky

Two architectures, eight hundred years apart.

Panteão dos Almeida, Abrantes: the whitewashed church on open ground beside a large tree, seen from the castle groundsPanteão dos Almeida, Abrantes: distant view of the church on the castle hilltop, with trees and the keep on the right

A church over 800 years old

The Church of Santa Maria do Castelo is a historic building in Abrantes, built in 1215 by D. Afonso II and rebuilt in 1433 by D. Diogo Fernandes de Almeida, one of the central characters of this project. The entities that supervise the heritage do not allow any alteration to the existing other than the painting and maintenance of materials, and it is from that condition that the proposal is born.

Panteão dos Almeida, Abrantes: pointed stone arch framing the nave, a black bench on the floating pine platform

A floor that floats

The proposal is materialized in a pine wood platform, placed on the existing clay floor and peeling off the walls, giving the impression of a floor that floats in space. It is like a new layer of history, which allows to perceive the existing floor, which tells a different story.

Panteão dos Almeida, Abrantes: glass panels standing under the timber roof, an arch and a black plinth at the end of the navePanteão dos Almeida, Abrantes: etched glass panels layered over the carved tombs, seen through a vertical line of light

Ethereal, ephemeral, transparent

On the wood rest metal structures of various dimensions, with glass varying between 5, 3 and 2 metres in height. Simple, ephemeral and transparent, they manage with little volume and little material to communicate with a subtlety alluding to the sacred. Their permeability allows to see the entire breadth of the church, a kind of augmented reality, layers of information juxtaposed to the existing one.

Panteão dos Almeida, Abrantes: glass frame outlined in light at the centre of the nave, between the carved stone tombsPanteão dos Almeida, Abrantes: large illuminated glass frame with engraved figures in front of the chancel archPanteão dos Almeida, Abrantes: through the stone arch, a sequence of glass frames lit along their edges across the floor

The lines of light

The lines of light run through the entire floor of the museum and are repeated in the glass frames that support the graphic elements of the exhibition. They elevate the space with an active vibe and play a central role in the entire project.

Glass panels and light lines dividing the nave of the Panteão dos Almeida in Abrantes into layersPanteão dos Almeida, Abrantes: chancel arch seen from the altar end, with a black runner leading back to the choir loft

An immersive path

The various pieces are distributed through the space according to the geometry of the building, taking advantage of verticality and scale. An interactive table, contemplation benches and a multimedia projection space lead the visitor along an immersive and transparent path, almost unreal, where layers cross between present and past.

Full Credits

Principal Architects

  • Henrique Marques
  • Rui Dinis

Architects

  • Adriana Pacheco
  • Joana Leitão
  • João Ortigão
  • Joel Cabral
  • Marco Santos
  • Tiago Maciel

Finance Director

  • Carla Duarte

Museography

  • Glorybox, lda

Photography

  • FG+SG

Recognition

Awards

  • Muse Design 2022

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